| “The Novaya Opera’s first premiere of the season, Hansel and Gretel, is presented as a family show. I would add – a must-see show. This is pure happiness of a performance! It is just the case when you feel sorry your child is too old and there are no grandchildren yet. <…>The production is remarkable not only for its clear, witty text and true musical quality with no indulgency to the age category 0+ (the podium is taken by Andrey Lebedev who enthusiastically deals with post-Wagnerian beauties of Humperdinck’s score), but also for the stage director’s lightness and merry visual fantasies. <…>The main magic is set in the nocturnal forest, where the children got lost. It is scary but magnetic and kind at the same time. All it takes is to make some tricks with light (lighting designer is Timofey Ermolin),to timely send the artists into the stalls to make the kids jump up from their places, and to invent a train of characters, one more fantastic than another”. Ekaterina Biryukova, Colta.ru, October 25, 2017 “The production is addressed to the audience 0+ and each generation will find something to enjoy, be afraid of or be touched with. Children shout joyfully when they see a wolf, who grabs a mermaid, takes her backstage and returns munching a bone; they come to a halt when Dmitry Pianov dressed as a witch with grotesque breasts enters the stalls to hunt the little ones. The chorus of angels brings tears to sentimental adults’ eyes. Connoisseurs savour the melodies, as Ekaterina Mironycheva and Anna Sinitsyna clearly and jingly sing the children’s roles. Conductor Andrey Lebedev aptly leads the orchestra through the score in a Wagner-light style, and a true clay ocarina sounds in the pit. ” Pyotr Pospelov, “Vedomosti” “Morality, irony, kindness and forgiving light in the Novaya Opera’s new production come through significantly but not as stereotypes; they are perceptible, but elegant and highly sincere. The significance and inevitable paradox of this opera’s designation is that children mainly react to its visual images and symbols. They will hardly see in its music what adults will hear, but it is important to begin children’s introduction to moral values and to form the spiritual basis of a human being through high quality music.<,…> Bass Dmitry Orlov acts as kind but slightly weird Peter, mezzo-soprano Alexandra Saulskaya-Shulyatieva is eccentric and despotic Gertrud (it was she who sent the children in the forest!). Both characters are rich and colourful and vocally memorable and attractive.“” Igor Koryabin, Belcanto.ru “The fascination of the production lies in its incredible characters inhabiting the magic forest where the children got lost. And the credit for it goes to the designer Ethel Ioshpa, a prize-winner of the Golden Mask Russian Theatrical Prize. The other designer is Anna Kostrikova. <…> Anton Bochkaryov is particularly good as a witch running around the auditorium and devouring children. Kids were screaming with fright and delight and their mothers admired his artistic presence and vocal skills. It was this bad character who raised the biggest round of applause”. Maria Chemberlen, “Moskovskaya Pravda” “Delighted kids enthusiastically followed the twists and turns of the production. In the intermission children’s ruckus filling the theatre’s foyer was overwhelming. They heatedly discussed with each other and with their parents all the characters and miracles happening on the stage. The sets are truly amazing and touching. And the singers’ fabulous dramatic and vocal renditions make kids and adults alike give their undivided attention to the magical story on the stage”. Vladimir Sabadash, “Mir ZhenskoyPolitiki” |
